Saturday, July 3, 2010

Tango Dance Steps


Other than being precise, Tango dance steps are passionate and hot. They are equally among the most fashionable social dances presently, but despite its repute, the fundamental Tango dancing steps can easily be broken down.

Prior to Dancing, the Frame
The frame is amongst the major aspects of this Tango dance steps and styles, or equally, the manner by which dancer’s bodies are held together. The dancing position ceases with the right hand of the lead on the left shoulder-blade of the follow, while the left hand extends sideways, grasping the latter’s right hand, even as his left hand is placed halfway down the right arm of the lead. Although this seemingly makes it appear like the arm is resting, by no chance should any actual weight be exerted on the arm of the lead. That’s the beauty of the Tango dance steps.

The follow and lead should look sideways, towards the right and left, respectively, with very straight spines and a relatively minor backward tilt to the head of the follow. Certain Tango dance steps occasionally necessitate the lead and follow snapping their heads while looking at one another (n often comprising a smoldering gaze) although their heads are required to return to the frame’s rest

Through most of these steps, that frame is continually held, with the bodies’ tilt being the only change (for instance, inside the corte). Although this may seemingly appear like it causes the dance to become inflexible for some, the truth is that the dance frame stability causes the remaining Tango dance steps to be more elegant.

The Primary Tango Dance Steps
The easiest means of remembering the primary Tango dance steps is thinking of the T-A-N-G-O acronym since the basic involves five parts. The steps similarly have a duration and rhythm that flows as follows: “Slowly…slowly…quick-quickly-slowly…

Similar to most ballroom dances, both the follow and the lead mirror one another’s steps during the basic, while most of the complex tango dance steps are given to each party to have their individual roles of playing. It is also common for the lead to use their left foot for beginning, whereas the follow uses the right. The steps of the lead are heel leads meaning that the foot’s heel touches down fast rather than the toe.

1. Slow (T): The lead uses his left foot to step forward, and this is mirrored by the follow who steps back using the right.

2. Slow (A): The lead once again steps forward using his right foot, while being mirrored by the right foot of the follower.

3. Quick (N): The lead again steps forward using the left foot, though this step is slightly smaller, in preparation of stepping sideways using the right.

4. Quick (G): The lead uses his right foot to step to his right through a technique referred to as “collecting the foot”. This implies that the lead’s right foot is brought up along the left prior to taking a step to his right, while not moving diagonally.

5. Slow (o): In all the fundamentals, the sultriest step is probably the slow almost drag-like movement of the lead’s left foot to the right in readiness to commence the fundamentals again. In regard to the follow, it is the slow and deliberate motion of joining the right into the left that is the sultriest amongst the Tango dance steps.

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